He enrolled in the Triveni Kala Sangam's Basic and Advanced Photography Diploma program, and under the guidance of the classical photographer O.P. Sharma, he began to incorporate poetry into visual essays. Following the successful completion of his undergraduate studies at MCRP University, a postgraduate program in mass communication at Punjab Technical University, and a Master of Philosophy in Mass Communication from Kurukshetra University, the individual developed a keen interest in photography-based research through experiential learning.
The perspectives "More than a Medium" by Jeff Wall and "Medium is the Message" by Marshall McLuhan inspired him. Manish has categorized his photography into two distinct trajectories: firstly, he is establishing a connection between critical theories and photographic practice; and secondly, he is investigating theoretical conceptualization via photographic interpretation.
At present, his research focuses on the intersection of photography aesthetics and gender perspectives, specifically examining the process and structural justification of Erwin Panofsky. His interest in photographic discourse originates from his aesthetics-based research, which employs the narrative technique to imbue visual language with vitality in the context of concealed meaning. His doctoral research and ongoing initiatives, directed by Professor Rubaid, concentrates on the sociological existence of visual sensory perception in an effort to reestablish photography as a polysemous medium. Self-taught in photography for over two decades, he possesses ten years of experience instructing students in the field as a photography lecturer.
The perspectives "More than a Medium" by Jeff Wall and "Medium is the Message" by Marshall McLuhan inspired him. Manish has categorized his photography into two distinct trajectories: firstly, he is establishing a connection between critical theories and photographic practice; and secondly, he is investigating theoretical conceptualization via photographic interpretation.
At present, his research focuses on the intersection of photography aesthetics and gender perspectives, specifically examining the process and structural justification of Erwin Panofsky. His interest in photographic discourse originates from his aesthetics-based research, which employs the narrative technique to imbue visual language with vitality in the context of concealed meaning. His doctoral research and ongoing initiatives, directed by Professor Rubaid, concentrates on the sociological existence of visual sensory perception in an effort to reestablish photography as a polysemous medium. Self-taught in photography for over two decades, he possesses ten years of experience instructing students in the field as a photography lecturer.